Casino - als Film ein minütiges Meistewerk über den kometenhaften Aufstieg und Fall der Mafia in Las Vegas. Robert de Niro alias Sam durchlebt mit. Anfang der 70er-Jahre leitet Sam Rothstein (Robert De Niro) für die Mafia eines der lukrativsten Casinos von Las Vegas. Der Erfolg macht ihn scheinbar. Casino ein Film von Martin Scorsese mit Robert De Niro, Sharon Stone. Inhaltsangabe: Las Vegas hat zwei Gesichter: das eine ist glamourös, das andere ist.
Casino (Film)Casino - als Film ein minütiges Meistewerk über den kometenhaften Aufstieg und Fall der Mafia in Las Vegas. Robert de Niro alias Sam durchlebt mit. Casino. ()IMDb 8,22 Std. 51 Min Sam "Ace" Rothstein sorgt dafür, daß in den Casinos von Las Vegas alles gut läuft. Das heißt: die Politiker. Martin Scorseses Mafiadrama Casino zeigt die Mafia im schillernden Las Vegas der frühen Siebziger, welches hinter dem Vorhang der guten Laune von Geld.
Casino (Film) Menu de navigation VideoCasino - Movie Opening Scene Part 1 - (MuOsViIcE)
Im Jetzt Casino (Film) und Simon Whitlock Darts. - KundenrezensionenRegisseur Martin Scorsese behauptet einen ehemaligen Berufskiller als Berater zugezogen zu haben.
For the film, see The Casino film. Theatrical release poster. Nicholas Pileggi Martin Scorsese. Syalis D. Release date. Running time.
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Scorsese on Scorsese. Las Vegas Review-Journal. Retrieved August 18, Archived from the original on October 28, Retrieved October 28, Retrieved October 19, November 23, Retrieved November 2, August 24, Archived from the original on August 24, Chicago Tribune.
Film Drammatico min. Regia di Martin Scorsese. Genere Drammatico - USA , , durata minuti. Il film comincia con Sam che esplode nella sua macchina e racconta da morto, come Holden in Viale del tramonto.
Denaro, intrighi, fosse nel deserto, violenza. La mafia tiene d'occhio Sam, ma lui fa soldi per tutti. Niki esagera, ruba e ammazza.
Alla fine i destini si compiono. Niki viene sepolto vivo, Ginger muore drogata e Sam Un'ultima nota: De Niro ha cambiato voce, ha acquistato quella di Gigi Proietti.
Geniale miscela di melodramma e film gangsteristico sotto il segno della dismisura: di durata, violenza, nostalgia, ossessioni, nevrosi, formalismi.
Scritto da Nicholas Pileggi che con M. Denaro e violenza dominano su tutto e sulle loro vite. Las Vegas anni E' buio e dal deserto sbucano oltre le nubi delle luci scintillanti.
Ovviamente per [ Grande film fa capir come andavano le cose in quella las vegas. Il film ruota intorno al mondo criminale legato al gioco d'azzardo.
E' un vero capolavoro del maestroScorsese! Eccezzionale De Niro e la migliore interpretazione di Sharon Stone.
Eccellente Joe Pesci. Da non perdere, da cineteca!!!!! E' il classico film di veri uomini di scuola scorsesiana, regia ottima, attori bravissimi anche se tanto gigioni e sostanza vicino allo zero.
Con una giacca rosa confetto, con scarpe e pantaloni bianchi da dandy tropicale, Robert De Niro monta su una Cadillac Eldorado dell' l'automobile esplode e fiammeggia, il corpo di lui viene proiettato in aria, sale, ricade, mentre la musica di Bach accompagna l'inizio della storia dell'ascesa e della caduta di Sam Ace Asso Rothstein, gangster ebreo, conquistatore di Las Vegas negli Anni Settanta [ Quei bravi ragazzi resta ancora un modello inarrivabile [ Film in streaming Amazon Prime Video Netflix.
Film Film uscita. Film al cinema. Film commedia. Film d'animazione. The most prominent oddity is that a large chunk of it is told via alternated narration from the two main characters, Rothstein and Santoro.
The aim was probably to include a lot more of Pileggi's book, in a more literal way, than would have been possible through more conventional means.
It's remarkable that the narration works as well as it does, especially because a lot of it is given a rapid-fire delivery. For at least the first 15 minutes, there is barely a pause in the narrational dialogue.
One of the reasons it works is because of the style that Scorsese uses to accompany it in the opening. He employs a lot of fast cuts while presenting very stylized, documentary-like footage.
The opening feels as much like an entertaining behind-the-scenes look at how the typical casino works as it feels like a fictional film about gangsters.
This happens so subtly that one hardly notices. Scorsese's directorial style likewise evolves from the fast-cut documentary approach to something more conventional.
This is all well and good, but on the other hand, the gradual evolution can only happen because the film is so long--it clocks in just a couple minutes shy of 3 hours.
That's a bit too long for the story being told. By at least the halfway point, it starts to feel a bit draggy. All the material is necessary to the story, but it could have been tightened up a lot more.
While I like the songs--I've owned the CD since it came out and I listen to it often enough--and the songs can help set the mood for some scenes, they become a bit too incessant and overbearing for the story after awhile.
It begins to approach the dreaded "mix tape" mentality, where the songs are just there because the director wanted to share some bitchin' tunes that he likes a lot.
A bit of ebb and flow with the music, and music better correlated to the drama, would have worked even better. Presumably, Scorsese was shooting for something like a sensory assault, since that's what you get in Vegas.
The visuals are filled with neon lights, flashy clothes I love Rothstein's suits , flashy people and such. The soundtrack is probably meant to match.
But in that case, if I were directing, I think I would have went for a combination of commissioned music that incorporated a lot of casino sounds, or that mimicked a lot of casino sounds--the cacophonous electronic symphony of various machines constantly going through their modes--with schmaltzy show tunes, ala Liza, Jerry Vale, Tom Jones, Wayne Newton, etc.
That Scorsese was trying to give a Vegas-styled sensory assault is also supported by the audio-visual contrast between the Vegas scenes and the scenes in other locations, such as Kansas City.
So I can understand the motivation, but I'm not sure the final result exactly worked. Of course the performances are exceptional, even if everyone is playing to type, except for maybe Woods.
The plot and characters are written and performed so that the viewer can see the disasters coming way before the characters can--and that's how it should be.
For example, as a viewer, you know as soon as it starts that it's a bad idea for Rothstein to kowtow to McKenna to win her hand in marriage, but Rothstein is blind in love and he ends up paying for it.
Everything unfolds almost a bit predictably in this respect, and another slight flaw is that we're shown the penultimate moment of the film right at the very beginning.
It tends to make it feel even more stretched out, as you keep anticipating that scene. But the slight flaws shouldn't stop anyone from seeing this film, and of course, quite a few viewers feel that there are no flaws at all.
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Puis les perssonage aussi. Tout le monde est hallucinant ici, notamment De Niro et Sharon Stone. Toujours aussi dingue ce mec, mais tellement brillant.
Mais a un moment je me suis dit qu'on aurai a faire qu'a une voix off tout le long du film comme si je lisait un livre. C'est bien a quelque touche, mais a un moment, ca me sortait un peux du film.
Autrement, du grand art. Bref un chef d'oeuvre encore , a mettre au tableau du grand Martin. Chef d'oeuvre :.Ungeachtet der Tatsache, das es nur ein Film ist, haben auch echte Spielcasinos Suche Gratis Spiele für die Teilnahme. In der Besetzung sind folgende Schauspieler zu sehen:. Mit traumwandlerischer Sicherheit brilliert er in seinen Szenen.